Letters From Mouse Edinburgh, UK
Bubbling analogue synthesis from Scotland.
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Blue Scream
by Werra Foxma Records
supported by 7 fans who also own “Broken Wheel”
This is a smartly curated collection of wonderful artists and music. It's what's new in this scene right now and it's a wide open window into a collective of creative minds at their best. Impossible to name a favorite. So well worth the price of admission. Proceeds to a really worthy cause.
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SUPERMOON MOONLIGHT PART TWO
by Forest Robots
supported by 6 fans who also own “Broken Wheel”
I already loved Fran's music, but he's now moved into the first division! Each of his releases is a jewel in a different way. Here he uses a combination of beautiful textures and melodies with beats. Normally, beats aren't my thing, but here the effect is very inspiring, not dissimilar to the best Helios work. This is life-affirming music that brightens your day.
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Drew Mulholland - A Haunting Strip Of Marshland
by Drew Mulholland
supported by 6 fans who also own “Broken Wheel”
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Innovative, playful electroacoustic music from two of the London jazz scene's rising stars, Max Luthert and Duncan Eagles.
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A stunner—dense, richly textured electronic music with songs that crackle like mysterious outer space transmissions.
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Modulations (DiNDDL24)
by Ian Boddy
Pulsing modular synth compositions that feel both otherworldly and organically alive from DiN label boss Ian Boddy.
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Field Lines Cartographer - Modalities of Time Travel
by Castles in Space Subscription Library
supported by 6 fans who also own “Broken Wheel”
REALLY wish I'd subscribed sooner to be able to enjoy this on vinyl! Curious the artist cited 12 Monkeys and not La Jetee as one of the key inspirations. For me, this has a more somber, introspective and timeless feel more akin to La Jetee than 12 Monkeys (though I also am a big fan of Terry Gilliam). Gorgeous music and you get the bonus of a list of excellent movies to enjoy (another note to the artist: Time Crimes is also a good film to watch). Now to somehow procure a vinyl copy...
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